Nikon D3100 vs Canon T2i (550D) : Which is Better ?

Perhaps the proper question is, “Is one of them better?” Over the past few months, Nikon has been busy releasing new equipment, including several lenses and two SLR bodies. Everyone is talking about the D7000, which has yet to reach customers even now (in November). However, the D3100 was released a month earlier and is actually available on the open market (at a mere $640, including a lens), and contains some of the features that are so intriguing about the D7000. Canon’s Rebel T2i / 550D is nearly a year older but probably Canon’s most equivalent counterpart to the D3100, and also one of the most popular camera models in the world. So how do they compare?  It may help to break it down into a few different categories.

Handling and Compatibility

Matthew Gore | Light And Matter

Both cameras are small and light, and the issue of comfort in the hand is too subjective to comment on. Neither one feels great to me compared to a professional level DSLR, but both are a big improvement over point-and-shoots. Both models have a mode selection dial on the camera-right top, where neither model has a secondary LCD readout. There are a couple of differences that should be noted, though. While both cameras make use of a 3″ LCD screen, the Nikon uses a relatively low resolution LCD screen, at only 230,000 pixels, compared to 1,040,000 million on the Canon T2i. Both cameras are equipped with somewhat simplified controls: while the Nikon D3100 does maintain the thumb-dial on the rear of the camera, the finger-dial below the shutter release button which is common to more expensive models is not used. Instead, the purpose of the thumb dial changes according to which shooting mode you select. Similarly, the thumb wheel for exposure compensation, which is a standard feature of all of the more expensive models, is removed from the Canon Rebel T2i, presumably on the grounds that beginners rarely use exposure compensation.

Both cameras are compatible with reduced sensor and full-frame sensor lenses. It should be noted, though, that the Nikon does not contain a focusing motor, and therefore is only compatible with modern lenses that have self-contained focusing motors, so the camera can’t focus with most of the lenses produced in the 1990s (the D7000 is backward compatible, however). All Canon AF lenses contain focusing motors and can be used with the T2i.

Auto Focus System and Shooting Speed

Both cameras use similar auto-focus systems, with one cross-type AF sensor in the center of the frame, and an array of single-directional sensors spread across a wider range of the frame. In the case of the T2i, there are 9 focusing points total, and the D3100 uses 11, giving it a very slight advantage. Again, the cameras perform very similarly. When shooting jpgs, the Canon has a slight speed advantage, shooting 3.7fps while the D3100 shoots 3fps.

Image Quality

This is perhaps the most important aspect, but also the most difficult to compare. The Canon does have a higher resolution sensor than the Nikon, but not dramatically (18 vs 14.2 megapixels, respectively). Theoretically, this will provide the Canon with higher resolution images, but in order for it to do so, the photographer must use a top-notch lens and excellent technique (probably tripod mounted), which is rare even with professional photographers. In practice, the Canon will probably produce slightly higher resolution, particularly in good light with a steady camera, and it will give users a little bit of extra room to crop down the edges. It is also worth mentioning that the Nikon D3100 shoots 12-bit RAW files, while the Canon shoots 14-bit. Most Nikons, including the new D7000 but also models as old as the D300, give the user a choice of 12 or 14-bit.  Many photographers argue that the theoretical advantage of 14-bit files does not provide a real-world, practical advantage when it comes time to print. I would argue that there is a substantive advantage to 14-bit files, but only when the photographer knows how to retrieve the extra detail from the shadows in post processing. I’ll write more on this specific issue in the future; it has come up with regards to the D7000 as well.

High ISO Tests  have shown that both cameras produce excellent results up to about ISO800, after which the Canon produces slightly better results until ISO6400, when the Nikon regains the lead. It should be noted, though, that the results are very very similar, and undoubtedly different tests will produce different results. Perhaps more importantly, beyond ISO1600, the image quality isn’t exactly great  in either case… so no matter who is considered to be ahead, it is simply the lesser of two evils.

Video

Although Nikon was the first SLR to introduce HD video recording about 2 years ago, the D3100 is the first model to record in full 1080p HD, while all of the Canons since that time have shot 1080p, so many Nikon shooters happy to be back in the game. Although not everyone will care about video features, Nikon does still have some catching up to do when it comes to frame rates. The Canon shoots 1080p at 30fps (USA standard broadcast rate) and 24/25 fps (movie film frame rate/ PAL standard), while the Nikon only shoots 24 fps. At 720p, the Nikon does shoot 30fps as well, while at 720p Canon shoots 60fps slow-motion video.

On the other hand, the Nikon adds one feature that Canon lacks: full-time auto focus. This is not, unfortunately the fast and accurate phase-detection AF of the Sony a55 and a33, both of which excel in this area. Instead, Nikon implements a contrast detection AF system that can hold focus on well-lit subjects where minimal movement is involved. The Canon, on the other hand, requires the photographer to press the shutter button periodically to auto-focus.

My impression of the Nikon video AF system is that it will have limited applicability where auto-focusing is actually helpful. Users who want to use the camera as a replacement for a video-camera will be disappointed, as it will probably not truly be able to keep up with the type of motion that people want to capture: kids playing, sports, events, etc.  Note, for example, in the opening moments of the video above (between 0:07-0:10), where the camera is close enough to the girl’s face to be able to evaluate the focus, and there is movement:  the shot opens in focus, but then after the girl turns her head, she remains out of focus while the camera searches. Users for whom video AF is very important should look at the Sony a55 instead.

Feature Comparison

This table displays some of the common features of the Nikon D3100 and the Canon Rebel T2i.

Canon Rebel T2i / 550DNikon D3100
Amazon Price (body only)$715$626
Kit Price
(Canon t2i + 18-55mm lens, Nikon D3100 + 18-55mm)
$829
$639
B&H Price


$719$649
Body MaterialPolycarbonate, Fiberglass Resin and Stainless SteelPolycarbonate
LCD Size / Resolution3.0"
1,040,000 pixels
3.o"
230,000
Sensor Resolution18 Megapixels14.2
ISO Range100-6400
+12800
100-3200
+6400
+12800
Total AF Focus Points911
Cross-Type AF Sensors11
AF Light Level Range-.05 to +18 EV-1 to +19
Metering System63 Zone Point Linked Evaluative
9% Center Weighted
4% Spot
420 pixel RGB sensor evaluative
6% Center Weighted
2.5% Spot
Max Frame Rate : RAW (14-bit)3.7?
Max Frame Rate : RAW (12-bit)n/a?
Max Frame Rate : JPG3.7fps3fps
Max Burst Duration RAW (at highest frame rate)6?
Max Burst Duration JPG (at highest frame rate)34?
Shutter Speed Range1/4000th - 30 sec.
+bulb
1/4000th - 30 sec.
+bulb
Maximum Flash Sync Shutter Speed (standard flash)1/200th sec.1/200th sec.
HD Video Resolutions1080p, 720p1080p, 720p
Available HD Video Frame RatesPAL and NTSC
24/25, 30 at 1080p
24/25, 30, 60 at 720p
24fps @ 1080p
24 or 30 fps @720p
Media TypeSD / SDHC / SDXCSD / SDHC / SDXC
Weight530g (with battery and SD card)455 (body only)
Viewfinder Coverage95%
0.87x magnification
95%
.80x

.

Conclusions

With some camera comparisons, there’s a clear winner in the end… but that is not the case here. The Canon T2i / 550D does come out ahead in the megapixel battle, it shoots a little faster, has a nicer LCD,  and it offers more video frame-rates (I spent a little more time with a Nikon D3100 today, and I’m not impressed with the full time video AF). However, these features will probably not provide a significant benefit to most of the people who buy these cameras (with the exception of the LCD, perhaps), and it costs about $200 more than the Nikon D3100. It seems that Nikon is practically giving away the 18-55mm kit lens, as there is virtually no difference between the body-only and kit prices I’ve seen listed.  Some users will be able to get better quality out of Canon’s higher resolution sensor and higher bit-depth, especially if they’re going to be printing large and using good technique… but in order to decide whether the camera is worth the extra money to you, you’ll have to ask yourself whether you are in that group, or whether you’d at least like to be in that group.

If you still can’t decide, you should also take into account the cost of lenses, and whether the company is consistently making higher-end camera bodies that you think you’d grow into in the future.

What IS going to make a much greater difference to your photography than your camera choice is the amount of time that you spend taking pictures. Just like anything else, the more you practice, the better you’ll get; especially if you have a class, a club or online group/forum to offer you honest evaluation of your images. Check around for local seminars and workshops; spending time shooting with pros will make a big difference [if you live in the Seattle area, feel free to contact me about future workshops]. Right now is the best time to get started… don’t waste months worrying about which camera body to buy, it won’t benefit your photography enough to be worth it. It’s time to get out there and start making your photography better, not expecting your camera to do it :) Happy shooting!

Editor-in-Chief
  1. I don’t know which way to lean. I love Canons and the clarity (I’ve had only canon handhelds). But I know Nikon is GREAT with SLRs. But if you look at the specs of the Canon its much better and the clarity (at least on the viewer) was alot better when I tested them both out in the store. BUT the Nikon has better kits and lens’ then the Canon and the Nikon is cheaper. Help!!! Even after reading reviews I’m tied!!!

    1. The good news is that both cameras are great pieces of equipment, and neither are likely to stifle your creativity in any way.

      Actually, the standard kit for both cameras is about the same 18-55mm, with the same aperture ranges and both are image-stabilized, and optically, both are quite good. Other lenses are available as kit offerings, depending on where you buy, though. you might think about trying someplace like Amazon.com. You’d save the sales tax, perhaps, and you may get a better price. It will also allow you to buy the body separately and buy whatever lens you want… which is a big advantage.

      There are Canon fans and Nikon fans out there, and each will say that their brand makes the best SLR. The fact is that they’re both great, so there’s no use in deciding based on brand loyalty. There are pros who use both brands.

      Keep in mind that even though some cameras are more expensive, the lenses will often make up for it… so you should take a look at which lenses you might want to use in the future and see how the prices factor in. Good luck!

      – Matthew

  2. Thanks matthew
    for your valuable information

    I’ll try and decide what is the best option for me

    I’m still undecided of 550D, D3100, Alpha 580
    Have you had the opportunity to have a look at Sony 580?
    Net hunting gives the idea that Sony is catching up with Canon and Nikon in terms of quality.
    I love HD of Sony.
    I was going for 3100, but a comparison showed high image quality for 550D
    confused again…!!!
    Help…..

    Thanking you
    Dr Anwar

    1. I haven’t used a Sony a580 yet, but I have tried the a55 which uses the same sensor… and if anything, the image quality of the a580 should be better. My experience with the a55, though, was just a couple of hours of playing around (a colleague’s camera), so although I have a good idea of its handling, I haven’t done rigorous testing of image quality. It seems good to me, but as I’ve said, the image quality differences that you’ll find between any of the major manufacturers today are not especially significant. They’re all good, and what really matters is how you use it. I published a brief comparison recently.

      Sony is definitely on par with Canon and Nikon for image quality when it comes to sensors; Nikon has been using Sony’s sensors for years, which is why you’ll find the same same sensor in the Sony a900 and a850 as you do in the Nikon D3x (but at half the price).

      The limiting factor for Sony is more likely to be lenses. They do have some great ones available, including some Carl Zeiss lenses. However, they still don’t seem to have the range of pro-quality lenses that is available for Canon and Nikon. Sony may have enough, though, depending on your needs.

      Do keep in mind with the Sony a580 that there is no auto-focus in video mode, not even the lame AF that is available with the Nikon D3100, and to a lesser degree, the Canon 550D. That said, I would choose the Sony or Canon over the Nikon D3100… partially because of the sensor, but mostly because the D3100 has an awful LCD and generally feels very cheap in my hands.

      – Matthew

  3. Hello mat (getting closer!)
    I’ve got some beautiful collection of photographs. As I’ve mentiomed earlier I’m an artist by nature. I do design, paint, photograph and ofcourse practice medicine a bit.
    As you know these are all expensive matter of things
    I invite your valuable suggestions on ‘how to make money out of my hobby’ so that I can give more time to my creative works and show justice to my GOD given talent
    Thank you
    appreciating your patience
    Dr Anwar

    1. Now that’s a tricky question… and of course, I have no idea what the opportunities are like in your part of the world, specifically.

      Unfortunately, because of the abundance of digital photographers out in the world at the moment, the market for images is somewhat weak. At least around here, it’s much easier to make money selling photographic service (portraits, wedding photography, sporting events, etc) than it is selling images.

      Some people turn to microstock, and depending on how suitable your photos are, you can make a little money at it, but generally not a ton. Agencies like Dreamstime don’t require a portfolio review or test; they’ll just accept or deny your work on an image by image basis. The trick with such agencies is to post thousands of photos, since individually, each one will usually only make a few dollars… with only your best work earning $50 or more individually. Some agencies like iStockphoto are much harder to get your work accepted and pay less per image, but get higher traffic.

      Personally, I feel that microstock agencies really de-value a photographer’s work, though. By nature, it relies on volume and mass appeal rather than artistic talent and unique vision. But some people apparently make a living at it, and I find that when I have a bunch of photos that I think are good but not especially outstanding, I sometimes upload them to the stock agencies.

      If you live near a tourist area or other high-traffic area, you can sell your photos as prints. Some people (like Alain Briot, near the Grand Canyon) have made a small fortune this way by opening a gallery or selling photos at a tourist market of some sort. Others offer prints to local restaurants, coffee shops, etc, to display, which also acts as a gallery (if you provide your contact information). Any means by which you can get your work out in front of the public is a good idea.

      That said, of course, you can also sell prints from a personal website. There are dozens of ways to do so, and it isn’t terribly expensive (if you buy webhosting from a company like GreenGeeks or Bluehost, you get as much space as you can handle for about $60-90 per year). I don’t do it, but some photographers sell their work through a blog like this one… there’s a free wordpress plugin called “Picture Store” or some such thing that acts as a gallery system.

      Anyway, I’m sure that there are dozens of other ways as well… but it all depends on your particular style of work, your region, and the amount of work you’re willing to put into it.

      Incidentally, I’d love to see some of your work. If you join this site, you can post photos in the album section of your “profile”. Just click on the “Join Us” tab at the top of the page.

      – Matthew

  4. Hello everyone,

    I’m in quite an interesting dilemma. My family wants to go in for my first dslr this christmas. I have done an immense amount of research and have narrowed it down to 3 prospects:

    nikon d3100
    canon eos t2i
    sony a55…

    I’m leaning toward the a55 for a few reasons:

    Many of you will know that sony has its new translucent mirror which allows for continual autofocus at 10fps bursts. That is incredible, and no one- at the moment -can come even close at this price point. Also, the VF is electronic (though apparently a great one), but I’ve heard that this does drain the battery; not such a biggie- I’ll buy another battery. I’m aware of the overheating issues, but dslrs aren’t-from what I understand- meant for video; if I can get ten minutes of 1080p video with almost flawless camcorder like continual auto focus, I’m certainly happy. Ive heard the nikon d3100 continual AF is slow and clumsy, not to mention the lack of a mic jack leaves you stuck with hearing the loud lense adjustments in the video. From what I have heard, the image quality differences of entry level cameras are minimal, any thoughts on that? I also like the idea of auto HDR, sweep panorama, and built in GPS. Also don’t care about the external flash problems people are reporting with the EVF- I’m a noob and they’ll likely fix it with an update. Is there anything I’m missing?

    Here’s the potential deal maker for me: the image stabilization is built into the a55’s body, so the 3 minolta maxxum lenses my grandfather gave me recently will slap right onto that a-series mount and AF right away. Being a total beginner, I’d think that this is a huge factor for the sake of economy and common sense; rather then stack up 4 or 5 expensive lenses and feel bound to either nikon or canon 5 years down the road when the technological landscape might have been completely turned on its head, I’ll simply be able to sell my a55 and the minolta glass and assess the situation with nikon and canon prosumers at that time, if I so choose. The a55 will at least allow me to learn a bit about photography without investing much past the body. I have a nice maxxum telephoto, a small 50 mm for quick low light shooting, and some other lense. I’ll give sizes and specs if necessary for your assessment. They all do, in fact, slap on the a55 and autofocus. Is this economically oriented theory sound in your opinions?

    From what I’ve read, the sony a55 is getting rave reviews for what it is; I don’t really care about the overheating issue in video mode, and I think the fact that I can go on ebay and buy even more old minolta lenses and have them autofocus for me is huge.

    Having said all of this, I kinda wanna just throw in the extra $3-400 and get a prosumer camera so I can start building my nikon or canon glass collection now and have a more solid body to begin with. Who knows, this might be my first and last dslr purchase and I’d like to have a good camera, but for the same reason it might not be necessary to get in over my head. $6-900 is a whole lot of money as it is, but if I threw in 3 or 400 of my own I could probably go prosumer with a kit lense which would completely change the dynamics of this whole decision making process completely. I could very well be jumping the gun though, having never used a DSLR in my life, I really don’t even know how far I’ll go with this. I have a few nice minolta lenses, and 10fps continual AF is quite the achievement on Sony’s part. Coming from my perspective- having four decent lenses starting out- should I definitely do with sony?

    I’ve held these camera’s, but being so new, I haven’t the slightest clue what to look for and I’m not really able to take them out and test them individually. I’m worried that with the Sony interface dumbed down a bit I won’t be able to really learn photography as well as if I bought a canon will all sorts of physical buttons. I have heard Sony’s a33 and 55 interface is intuitive, though. Probably a stupid concern, but a real one nonetheless.

    Sorry about such a lengthy, rambling and incoherent post, I’m actually losing sleep over this decision; buyers remorse is a scary thing. I’m aware that I sound like I’ve made up my mind, but the d3100 and t2i are alluring for there own reasons. Are there any other options from either nikon or canon I should be aware of in a slightly higher price range? Thanks so much to those of you who made it to the end- your patience is truly admirable

    1. Hello Matthew, the above post was a mistake. I had my lengthy predicament copied to my clipboard to paste onto several forums in my desperate search for advice. I was planning on introducing myself and consolidating that post for you, but posted that instead :( Anyway, now that my dilemma (an much, much more) is posted in full, have you any insight? thanks a lot

    2. Hi Alex,

      First of all, I’m glad that you took the time to provide all of the detail that you did; that’s the sort of thing that usually really helps. It really sounds like you’ve thought through most of the issues, and you know the facts. That’s the biggest thing.

      Cost is going to be the biggest factor. A mid-range DSLR probably won’t cost much more than the Sony ($899): a Canon 60D is currently running about $999, for example.

      However, the lenses are going to add up very quickly if you want glass to match the quality of the camera. There are a couple of high quality lenses (optically) that can be found for only a couple hundred dollars: the 50mm f1.8 is only about $99, and it beautifully sharp; Canon’s 55-250mm is just over $200 and has remarkable optical quality for the price, and is image stabilized (though not USM). However, if you want a good mid-range zoom to cover the area below 55mm, Canon’s consumer level zooms are not only somewhat expensive (a few hundred dollars), they’re also not especially great lenses, optically. To get great optical quality in that focal length range, you need to move up to something like the 17-55mm f2.8, which costs quite a bit more.

      That’s all just to say that covering the range of lenses that you already have will cost you several hundred dollars (rather than 2 or 3), which is a much more substantial investment… especially if you want to get IS lenses, which you should.

      If you’re just getting started in photography, it’s a much better idea to have some flexibility with lenses… there’s nothing that’s more frustrating or stultifying than to have a nice camera but only have a single lens; that’s a sure fire way to kill your interest. That said, I’ve never used Minolta lenses, so I can’t speak to their quality; they’re older design lenses, but they had a reasonably good reputation back when they were made.

      I wouldn’t worry about the interface of the camera effecting your ability to learn photography. Actually, the simpler the camera, the more of the important stuff you’ll learn. Most of the cameras made today are packed with features, but mostly for the sake of beginners; pros know how to get the results that they want with just about any camera. 90% of the time that I’m shooting, I use aperture priority and exposure compensation, and leave the rest of the camera alone.

      I’d go with the Sony if I were you. No matter what camera you buy now, if your interest in photography keeps up, you’ll want to buy a new body in 2 or 3 years. If you have the sony and are using your current lenses, then you won’t be heavily invested in a particular brand (at least, not any more than you already are), and you’ll know more about your own needs as a photographer, so you can always decide to switch to Nikon or Canon, or continue with Sony.

      That said, one of the reasons that this is such a hard choice is that there are a lot of good options; no matter what camera you choose, you should be happy with it. The most important thing is to get the camera (any camera) and get familiar with it, learn how to use it, and learn photography. If you can do that, all off the little issues with camera models fall by the wayside.

      – Matthew

    1. Hello Dr. Anwar,

      Unfortunately, I can’t say a whole lot from personal experience about the a560 or a580 (of course, the a560 isn’t expected on the market until sometime in 2011). I keep up to date on Canon and Nikon equipment, but it takes me a little while to get to Sony, and these models are both new. I can say that when it comes to battery drain, I don’t expect a problem with any of the Sony models except for those with an electronic viewfinder… and the a580 has a traditional optical viewfinder. My guess is that the 560 and 580 will use the same sensors as those found in the a33 and a55, so the image quality will be virtually identical, with the exception of the 1/3 stop less light on the a55/a33 side of things.

      Sorry I can’t be of more help there!

      – Matthew

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